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<channel>
	<title>alina</title>
	<link>https://alinafrieske.com</link>
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	<pubDate>Mon, 07 Nov 2022 13:30:29 +0000</pubDate>
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		<title>Front page</title>
				
		<link>https://alinafrieske.com/Front-page</link>

		<pubDate>Mon, 07 Nov 2022 13:30:26 +0000</pubDate>

		<dc:creator>alina</dc:creator>

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	&#60;img width="4469" height="2990" width_o="4469" height_o="2990" data-src="https://freight.cargo.site/t/original/i/d35030b8e520a38eec1e9dacd3a42842cfa6e7deb18853904301cdbacbea0572/Facades_Installationss3C.jpg" data-mid="219948486" border="0"  src="https://freight.cargo.site/w/1000/i/d35030b8e520a38eec1e9dacd3a42842cfa6e7deb18853904301cdbacbea0572/Facades_Installationss3C.jpg" /&#62;Fabienne Levy Gallery&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 2024&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Façade
&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/54dc608da8c95bd2a256456fd24c754eda34c65d82b973d095657be3c43154f7/AlinaFrieske_FabienneLevy_HD_11x-Kopie.jpg" data-mid="193262740" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/54dc608da8c95bd2a256456fd24c754eda34c65d82b973d095657be3c43154f7/AlinaFrieske_FabienneLevy_HD_11x-Kopie.jpg" /&#62;
Fabienne Levy Gallery&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 2021&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Can you see me better now?&#38;nbsp;
&#60;img width="4724" height="3543" width_o="4724" height_o="3543" data-src="https://freight.cargo.site/t/original/i/a85b5305adca1f734dce68e3c5401d0f523fa6d53efb60ba86983dd6fae42c6a/Centre-de-la-photographie-Geneve---Making-Light-of-Every-Thing---Image-Annik-Wetter-8.jpg" data-mid="208311717" border="0"  src="https://freight.cargo.site/w/1000/i/a85b5305adca1f734dce68e3c5401d0f523fa6d53efb60ba86983dd6fae42c6a/Centre-de-la-photographie-Geneve---Making-Light-of-Every-Thing---Image-Annik-Wetter-8.jpg" /&#62;
Centre Photographie Genève&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 2024&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Making Light Of Every Thing &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
&#60;img width="6224" height="4103" width_o="6224" height_o="4103" data-src="https://freight.cargo.site/t/original/i/88ce682caf73486cb04de70bea906cab4887c624f16bacd8236eac5b6556c2b2/2024_CRP_008_9.jpg" data-mid="208311628" border="0"  src="https://freight.cargo.site/w/1000/i/88ce682caf73486cb04de70bea906cab4887c624f16bacd8236eac5b6556c2b2/2024_CRP_008_9.jpg" /&#62; Centre régional de la photographie&#38;nbsp;Hauts-de-France &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;2024&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Le Parti pris des choses&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
&#60;img width="4690" height="3589" width_o="4690" height_o="3589" data-src="https://freight.cargo.site/t/original/i/becc54099ab839bdc851af29850cb312272b053f8711b1ef99c02939dd3ab736/KW-27_FrieskeInstallation.jpg" data-mid="208310065" border="0"  src="https://freight.cargo.site/w/1000/i/becc54099ab839bdc851af29850cb312272b053f8711b1ef99c02939dd3ab736/KW-27_FrieskeInstallation.jpg" /&#62;
Sammlung Klein&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 2023&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Stiftungspreis Fotokunst - Innere Bilder &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/0590be4faefdc4090cc8810529683f9b0050227fbefd1a2a0a83d020d00efb87/Gazed_and_Confused_Chapter_2_KB_MEDIUM_09.jpg" data-mid="179271321" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/0590be4faefdc4090cc8810529683f9b0050227fbefd1a2a0a83d020d00efb87/Gazed_and_Confused_Chapter_2_KB_MEDIUM_09.jpg" /&#62;Last Tango&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 2022&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Gazed and Confused / Chapter Two&#38;nbsp;
&#60;img width="3000" height="2674" width_o="3000" height_o="2674" data-src="https://freight.cargo.site/t/original/i/224d0f0074a0befb3f070a1412de6742655d7d23d6e0c580510bab0afd874f31/x.jpg" data-mid="191776711" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/224d0f0074a0befb3f070a1412de6742655d7d23d6e0c580510bab0afd874f31/x.jpg" /&#62;Biennale Images Vevey&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 2020&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Unexpected. Le hasard des choses&#38;nbsp;

&#60;img width="5922" height="3630" width_o="5922" height_o="3630" data-src="https://freight.cargo.site/t/original/i/0cc7b52fc2989c4a4cb46edce3e81bb07197c27f68206fe1b44c0c1f5cf8171a/ART-PARIS---FABIENNE-LEVY-jpg.jpg" data-mid="179271346" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/0cc7b52fc2989c4a4cb46edce3e81bb07197c27f68206fe1b44c0c1f5cf8171a/ART-PARIS---FABIENNE-LEVY-jpg.jpg" /&#62;Art Paris&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 2022&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Hold Dear&#38;nbsp;
&#60;img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/e4dabb4a959e0f59e46e3b83213b0bb8b3f8f28afbebc16668483b7f68659b83/Fabienne-ArtExpo23.jpg" data-mid="179271278" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/e4dabb4a959e0f59e46e3b83213b0bb8b3f8f28afbebc16668483b7f68659b83/Fabienne-ArtExpo23.jpg" /&#62;Expo Chicago&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 2023&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Rehearsing&#38;nbsp;


	&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/5374aa147adc0cd963f89f9c9053ed11256cf16396b13cd465c30159601a0abd/instal_gib_alina_3.jpg" data-mid="158183277" border="0"  src="https://freight.cargo.site/w/1000/i/5374aa147adc0cd963f89f9c9053ed11256cf16396b13cd465c30159601a0abd/instal_gib_alina_3.jpg" /&#62;


	Images Gibellina&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 2022&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Abglanz - The house of cards

	
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		<title>Books </title>
				
		<link>https://alinafrieske.com/Books</link>

		<pubDate>Mon, 07 Nov 2022 13:30:28 +0000</pubDate>

		<dc:creator>alina</dc:creator>

		<guid isPermaLink="true">https://alinafrieske.com/Books</guid>

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&#60;img width="3152" height="1977" width_o="3152" height_o="1977" data-src="https://freight.cargo.site/t/original/i/a06be4bb8b5d753a31c6e50737af7c8de37f7899d268e85acd38e8fd84322869/12.jpg" data-mid="191998650" border="0"  src="https://freight.cargo.site/w/1000/i/a06be4bb8b5d753a31c6e50737af7c8de37f7899d268e85acd38e8fd84322869/12.jpg" /&#62;
&#60;img width="3152" height="1977" width_o="3152" height_o="1977" data-src="https://freight.cargo.site/t/original/i/d1ca3797c6a0e6815f17034452f703fd076417fe736a7e1edfb1f4546bc6a679/7.jpg" data-mid="191998221" border="0"  src="https://freight.cargo.site/w/1000/i/d1ca3797c6a0e6815f17034452f703fd076417fe736a7e1edfb1f4546bc6a679/7.jpg" /&#62;
&#60;img width="3152" height="1977" width_o="3152" height_o="1977" data-src="https://freight.cargo.site/t/original/i/69653c525539e39b84e41f1205819f9f3e8c3c839470806c36cf9df861fee53a/9.jpg" data-mid="191998223" border="0"  src="https://freight.cargo.site/w/1000/i/69653c525539e39b84e41f1205819f9f3e8c3c839470806c36cf9df861fee53a/9.jpg" /&#62;
&#60;img width="3152" height="1977" width_o="3152" height_o="1977" data-src="https://freight.cargo.site/t/original/i/c01ea2e86e6bcbf36fa5a8096b546b00c7a2f64517e5b1f5c87bf4c7fbe8fb57/8.jpg" data-mid="191998222" border="0"  src="https://freight.cargo.site/w/1000/i/c01ea2e86e6bcbf36fa5a8096b546b00c7a2f64517e5b1f5c87bf4c7fbe8fb57/8.jpg" /&#62;
&#60;img width="3152" height="1977" width_o="3152" height_o="1977" data-src="https://freight.cargo.site/t/original/i/969602f4b95472debcd51ccbbef002776d392ee5152066cf17952208ac7d9df4/11.jpg" data-mid="191998634" border="0"  src="https://freight.cargo.site/w/1000/i/969602f4b95472debcd51ccbbef002776d392ee5152066cf17952208ac7d9df4/11.jpg" /&#62;
&#60;img width="3152" height="1977" width_o="3152" height_o="1977" data-src="https://freight.cargo.site/t/original/i/524a1b3ed1b00e0e447deebdd9b16d283de0714ae50ee28298d4bfd859bd1926/6.jpg" data-mid="191998220" border="0"  src="https://freight.cargo.site/w/1000/i/524a1b3ed1b00e0e447deebdd9b16d283de0714ae50ee28298d4bfd859bd1926/6.jpg" /&#62;
&#60;img width="3152" height="1977" width_o="3152" height_o="1977" data-src="https://freight.cargo.site/t/original/i/7cd56de798646d49aa3b107b612b7591941aac903eeda277dce0fa5faf91154e/4.jpg" data-mid="191998800" border="0"  src="https://freight.cargo.site/w/1000/i/7cd56de798646d49aa3b107b612b7591941aac903eeda277dce0fa5faf91154e/4.jpg" /&#62;
&#60;img width="3152" height="1977" width_o="3152" height_o="1977" data-src="https://freight.cargo.site/t/original/i/8f974d4e5c40d785b8c13d707d3ced77fcadf6ddad15ed8699e7c8a1ce8aad65/14.jpg" data-mid="191998784" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/8f974d4e5c40d785b8c13d707d3ced77fcadf6ddad15ed8699e7c8a1ce8aad65/14.jpg" /&#62;
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&#60;img width="3152" height="1977" width_o="3152" height_o="1977" data-src="https://freight.cargo.site/t/original/i/27491f25557bfff6e8dcc637d2d6aa1d918ab5e37a1b08be60ef02df71f346cd/20.jpg" data-mid="195225701" border="0"  src="https://freight.cargo.site/w/1000/i/27491f25557bfff6e8dcc637d2d6aa1d918ab5e37a1b08be60ef02df71f346cd/20.jpg" /&#62;

	&#60;img width="3152" height="1977" width_o="3152" height_o="1977" data-src="https://freight.cargo.site/t/original/i/9694b2d2f8e60de6e5ba78b4e98062cd8fb5180a2ea12396e2fe60ff816449ef/cover_.jpg" data-mid="195224989" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/9694b2d2f8e60de6e5ba78b4e98062cd8fb5180a2ea12396e2fe60ff816449ef/cover_.jpg" /&#62;

	Each and Every Part in Between
Each and Every Part in Between examines the relationship between public and private identities and the circulation of the snapshot. Through the use of collage techniques, the work deals with the understanding of online profiles as a place where personal interests and social interactions are stored and recorded. The basis for the work is an extensive collection of images sourced from the unlimited flow of selfies and mobile phone uploads on social media. The day-to-day photos, cut into ever smaller fragments, serve as a color palette and brush stroke in the digital composition. Countless fleeting moments of strangers are transformed into a collective portrait. In their totality, the photographic artifacts expand their original purpose and enable new perspectives.

	

Published by Ciao Press 
and Editions
 Images Vevey 2023Hardcover 23 x 28 cm, 176 pagesTexts: Joanna Cresswell and Gaia TedoneDesign: Nicolas PolliISBN: 978-88-944928-7-3


	
Request signed copy






	
&#60;img width="3152" height="1986" width_o="3152" height_o="1986" data-src="https://freight.cargo.site/t/original/i/d00be0550af4c232f3b6bf40ee40bf4ff8c78297144a6b467c07928ffe6f28d3/img3.jpg" data-mid="192311570" border="0"  src="https://freight.cargo.site/w/1000/i/d00be0550af4c232f3b6bf40ee40bf4ff8c78297144a6b467c07928ffe6f28d3/img3.jpg" /&#62;
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&#60;img width="3152" height="1977" width_o="3152" height_o="1977" data-src="https://freight.cargo.site/t/original/i/fdc2bd749b3b1f739b52a72fa0060c6540c628004732dc2ee6532e276570826e/19.jpg" data-mid="195225510" border="0"  src="https://freight.cargo.site/w/1000/i/fdc2bd749b3b1f739b52a72fa0060c6540c628004732dc2ee6532e276570826e/19.jpg" /&#62;
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	&#60;img width="3152" height="1977" width_o="3152" height_o="1977" data-src="https://freight.cargo.site/t/original/i/be9ade3f9ea9697cce98cb3d5d57216c8e707bd241de58cf60c7e76ac552a134/cover_SE.jpg" data-mid="195227851" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/be9ade3f9ea9697cce98cb3d5d57216c8e707bd241de58cf60c7e76ac552a134/cover_SE.jpg" /&#62;

	

Each and Every Part in Between - Special Edition &#38;nbsp;
Each and Every Part in Between examines the relationship between public and private identities and the circulation of the snapshot. Through the use of collage techniques, the work deals with the understanding of online profiles as a place where personal interests and social interactions are stored and recorded. The basis for the work is an extensive collection of images sourced from the unlimited flow of selfies and mobile phone uploads on social media. The day-to-day photos, cut into ever smaller fragments, serve as a color palette and brush stroke in the digital composition. Countless fleeting moments of strangers are transformed into a collective portrait. In their totality, the photographic artifacts expand their original purpose and enable new perspectives. 
For the Special Edition, each page was printed twice to be overlaid with another page within the book. The layered printing process creates another sequencing and a new reading of the works. The edition is accompanied by a print Untitled (Fruit) in the size 21 x 26cm in an edition of 50.&#38;nbsp;




	


Published by Ciao Press and Editions Images Vevey 2023Hardcover 23 x 28cm,&#38;nbsp; 176 pagesTexts: Joanna Cresswell and Gaia TedoneDesign: Nicolas PolliEdition of 50



	


Request signed copy


	
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	&#60;img width="3336" height="2274" width_o="3336" height_o="2274" data-src="https://freight.cargo.site/t/original/i/0eeb189292643b31d338ce8e77dd3bbb2e1d246d55bff0004b014bdae574b85e/cover.jpg" data-mid="192311875" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/0eeb189292643b31d338ce8e77dd3bbb2e1d246d55bff0004b014bdae574b85e/cover.jpg" /&#62;
&#38;nbsp;
	
Imprint&#38;nbsp;
The book comprises a collection of concepts about the way we leave an imprint and how we can be recognized both by another human and by a machine. Thereby the work visualizes moments of unease when clear outlines dissolve and common structures disappear. Photographs combined with images assembled from books about medicine, anatomy, and geography and are collaged around the readability and fixation of a person. The book contains embossed images and a foldable glossary about specific terms which have been of importance during the artistic research. Accompanied by the images is an extract of a conversation taken from a scientific study about prosopagnosia. Shown fragmented on blank pages, the study results transform into a poem.


	

Published by Jan van Eyck Academie 2019Hardcover 24.8 x 19cm,&#38;nbsp; 94 pages
Risograph PrintEdition of 100


	
Request signed copy 


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		<title>About</title>
				
		<link>https://alinafrieske.com/About</link>

		<pubDate>Mon, 07 Nov 2022 13:30:26 +0000</pubDate>

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Contact
M&#38;nbsp;&#38;nbsp; &#38;nbsp;alina.f@online.deIG &#38;nbsp; &#38;nbsp;@almafrie


Gallery representation:&#38;nbsp;
Fabienne Levy Gallery &#38;nbsp;Av. Louis-Ruchonnet 61003 LausanneSwitzerland

info@fabiennelevy.com&#38;nbsp;
Robert Morat Galerie 
Linienstraße 10710115 Berlin
Germanyinfo@robertmorat.de



	








Bio











The work of Alina Frieske evolves at the intersection between photography and painting, wherein she investigates into the representation of the human body in a networked environment. Using collage techniques, she explores the multiplicity of information stored as part of what constitutes our virtual identities and the impact of digital technologies on our daily lives.





	
		
		
	
	
		
			
				
					
						
Alina studied Visual Communication at Acadamie Beeldende Kunsten Maastricht (ABKM) and graduated with an MA in Photography at Ecole cantonale d’art de Lausanne (ECAL) in 2019. 
She lives and works in Berlin.



A complete portfolio is available upon request. &#38;nbsp;


	


	








	


Texts and Interviews
Collectors Daily, Alina Frieske, Each and Every Part in Between, by Loring KnoblauchNearest Truth, Episode 351 in Conversation with Brad Feuerhelm212 Magazine, Versatile Oddity, by Itir Yildiz
 Deichtorhallen Hamburg, Halle4 #photography2050
PHOTO VOGUE Italy -&#38;nbsp; Painting with Photographs by Rica Cerbarano&#38;nbsp;British Journal of Photography, Reality and artificiality in Alina Frieske’s photographs, by Joe LloydWe Present, The artist who paints with fragments of photographs, by Alex Kahl


	


	



	Solo Exhibitions
2026
Art Düsseldorf, Robert Morat Galerie
2025
Makasiini Contemporary, Counterweights, Turku
Paris Photo, Pinch-to-zoom, Paris
2024Fabienne Levy Gallery,&#38;nbsp;Façade, Lausanne / GenevaPipeline Gallery, Nightly Newsfeed, London

2022 
Art Paris, Hold Dear, Paris

2021 
Fabienne Levy Gallery, Can you see me better now?, Lausanne 










Twenty14 Contemporary,&#38;nbsp;Abglanz,  Milano








Selected Group Exhibitions
2026
MBAL Le Locle, Pour tout faire, il faut une fleur, Le Locle
Fabienne Levy Gallery, The roles we play, Zürich
2025
Arter Musem Istanbul, I Need More Time, IstanbulPhoto Elysée Lausanne, Gen Z - Shaping A New Gaze, Lausanne
2024CRP/ Centre régional de la photographie Hauts-de-France, Le Parti Pris des Choses
Centre de la photographie Genève, Making Light of Every Thing,&#38;nbsp;GenevaRussi Klenner Galerie, Paanch, Cinci, Fünf, Wǔ, Cinque, Berlin
2023 Alison Peter Klein Stiftung, Stiftungspreis Fotokunst - Innere Bilder, Eberdingen-Nussdorf Photo Elysée, Dialogues on Humanity, traveling exhibition Expo Chicago, Chicago&#38;nbsp;

2022
Centre photographique Rouen Normandie,&#38;nbsp;Le Parti Pris des Choses 

Photo Vogue, The Next Great Fashion Image Makers,&#38;nbsp;Milano 


 Last Tango, Gazed and Confused,&#38;nbsp;Zürich&#38;nbsp;Artgenève, Geneva&#38;nbsp;Zonamaco, Mexico City

2021Artfair ART021 Shanghai&#38;nbsp;Artfair Artissima Turin&#38;nbsp;Kunsthal Rotterdam, Resilience - a personal story, Rotterdam 

Biennale Images Gibellina,&#38;nbsp;House of cards - Abglanz,&#38;nbsp;Sicily ECAL Art and Design, Espace Graffenried, Aigle

2020 35th International Festival of Fashion &#38;amp; Photography, Villa Noailles, Hyères 

 Images Vevey Festival, Les hasard de choses, Vevey 

Die Digitale Düsseldorf,&#38;nbsp;Digital Secrets, WeltkulturzimmerArt Market Budapest Robert Capa Centre Plat(t)form Winterthur, Fotomuseum Winterthur PhotoSchweiz, Zürich
Awards and Fellowships2024Trustee EHF 2010 Fellowship Konrad Adenauer Foundation

2023 Alison and Peter Klein Stiftungspreis&#38;nbsp;
2022 Research stipend Visual Arts Senate Department for Culture and Europe Department of Culture Berlin

2021 ING Talent Award&#38;nbsp;

2020 &#38;nbsp;Finalist for 35th Hyères International Festival of Fashion &#38;amp; Photography Images Vevey Le parcours Bon à Tirer &#38;nbsp;

2019 Promotion of aspiring photographers Swiss Arts Council Pro Helvetia Prix d’excellence du Domaine Design et Arts visuels de la HES-SO

2017 Henriette Hustinx Prize Maastricht&#38;nbsp;




Publications&#38;nbsp;












Each and Every Part in Between CIAO Press &#38;amp; Images Vevey 2022










Atlas of Aspect Change, Tine Melzer, Rollo Press 2022














PhotoVogue Vol II, Vogue China, September 2022










212 magazine, IMPERSONATOPIA 2022

	 Millennials to Gen Z - The future of photographers, IMA magazine&#38;nbsp;2021





















What We Have Learnt About Publishing, YET Magazine
Ones to Watch British Journal of Photography, 2020




Entkunstung, Volume Three, 2020




Imprint Alina Frieske, Jan Van Eyck Academie, 2019





Impressum&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; © 2026 Alina Frieske&#38;nbsp; All Rights Reserved &#38;nbsp; 

	













	
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		<title>Impressum</title>
				
		<link>https://alinafrieske.com/Impressum</link>

		<pubDate>Mon, 07 Nov 2022 13:30:29 +0000</pubDate>

		<dc:creator>alina</dc:creator>

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Impressum&#38;nbsp;
Angaben gemäß § 5 TMG

Alina Frieske
Büro Bum BumMüllerstraße 138 D, 1.HH, 3.OG13353 Berlin
 
Telefon: +4915753677254E-Mail: alina.f@online.de











Umsatzsteuer-Identifikationsnummer&#38;nbsp;
gem. § 27 a Umsatzsteuergesetz:USt-IdNr. DE327031025 

Haftungsausschluss – Disclaimer:
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© 2023 Alina Frieske&#38;nbsp; All Rights Reserved
 


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